To be able to layer, mix and generally mess about with video content, to come up with something original and fitting the visual look of the show. And stick to it.Īlong with conventional video content, Resolume can also deal with Flash and Quartz Composer stuff, which is fandabbydozey because that kind of realtime rendered content is just loverly and opens up huge possibilities that don’t rely on particular videos of particular resolutions. Either way, the flexibility in this means that you should decide on some kinda ordered system of how you use your layers and columns and clips and decks. So, unlike some media servers, Resolume Arena doesn’t so much have a timeline in the conventional sense but it does have options for the firing of cues, using pre set up columns is probably your best way. Fortunately, I don’t think you can do this from the console by default. The file can be triggered by a Column or individually and get this, you can move the clip around within the Layer. These are the slots where your media file is put ready to play, in the Layer you choose and in the relevant column to taste. You can also set the columns to auto fire along the line in a time you specify. all the clips in all the layers of that column can be “Go”ed at once, firing off your final look of combined layers. Now you might be starting to see that Resolume differs from things like Catalyst. The slots that you drag content in live in Layers on the X axis, but in columns on the Y axis. The layers have the usual Opacity and other manipulation controls such as scale, size, rotation and a whole bunch of others. The difference with these layers, is that although they are numbered by default, the layer order is not set in stone and you can bump order around so a different one is “on top”. You can set the number of layers and drag and drop clips from your media folder onto slots on the layer. If you are into media servers, you know what layers are. You could use a different desk per song, for example. Within the Composition, a collection of layers and clips you’ve set up, that you can toggle between from the desk if you like. The file/workspace you are working on at the time and the final output of your combined content.
#Resolume arena 5 compatible dmx code
The thing that is different is the way it organises content, something you do at the terminal, not from the lighting desk, as it’s extremely flexible which is code for saying “You are likely to get yourself into a muddle.” It does have the usual Play Modes: Forward, Backward, Bounce, Loop etc. Unlike some other lampie media servers, it’s a little different to simply picking a media folder between 0 and 255, the picking a clip between 0 and 255. Resolume 4 Arena plays stuff back as you would expect. The ability to pick and mix video files and play them back whole, or in loops, or backwards or in a specific order. So what do us lampies really want from a media server and how does Resolume stack up? We’ll start with our typical Lampie Demands and see where it gets us. Resolume has a setting to Hide Audio Controls, which clears thing up for us. We will completely ignore the fact that it does quantised audio playback for simplicity today.
#Resolume arena 5 compatible dmx software
Resolume is in the software camp and the interesting thing for us about Resolume 4 Arena is that they have added features to their Avenue VJ platform that are relevant to what we do. They come as hardware/software or simply as software that you run on your own machine such as a decent spec laptop or desktop PC/Mac. To precis, media servers are used on all kinds of show to play digital media which is then either projected on screens, the set, the floor, or even pixel mapped to starcloths or other low resolution outputs. What might we want from our media server? If you didn’t get that joke and have little experience of media servers in show production, read on anyway after checking this media server primer from a few years ago. If you have some experience of media servers or the complexities of current projection and mapping trends, you’ll find some ideas on using Resolume 4 instead of your more familiar Arkatalyst Hippo Box software (see what I did there?). This article simply looks at Resolume 4, which is in Beta 2 at the time of writing, from the point of view of a Lighting Designer/Programmer and asks if we should give the new Arena offering our attention. In order to give you a look around the software, we finish up with a video poke about under the hood.
Here at OSL, we don’t really do product reviews and the following piece continues that tradition. In a world where both traditional lighting and digital visual media are the domain of the modern lampie, On Stage Lighting considers the forthcoming release of media software Resolume 4 Arena which looks like it has potential in the small to mid scale show visual market.
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